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heard this on RRR's always excellent Beat Orgy last Satdee

https://www.rrr.org.au/explore/programs/beat-orgy

out now on Gearbox Records, our AudioNote Oz correspondent can probably tell us more of its sonic qualities.

recorded live at London's Church of Sound

https://www.audionote.com.au/gearbox-records

https://store.gearboxrecords.com/collections/cd/products/sarathy-korwar-cd-pre-order

Juno UK are a good place to purchase, I've been using them for years, good prices and cheap postage

https://www.juno.co.uk/artists/Sarathy+Korwar/

 

 

 

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Atomic: Boom Boom

 

vinyl

 

This album was my intro to this great band about 10 years back, via NoBusiness Records. The band have a new album just out out (Pet Variations), but I can't find an english speaking website who have it in stock.

 

Fredrik Ljungkvist - tenor saxophone, Bb clarinet
Magnus Broo - trumpet
Havard Wiik - piano
Ingebrigt Haker Flaten - bass
Paal Nilssen-Love - drums and percussion

 

boomboom_cover_final.9c057a36f0899e0f0da

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Been a while since I have visited this thread. Some great tunes being played.

Have spent 3 of the past 5 days laying on the couch watching cricket & an Indian series is my favourite.

I love Indian music & the sound of the tabla. Two brand new & brilliant purchases have thrilled my ears.

a3963085945_16.jpg

As mentioned by Brothers Chris & Ian. His first release, Day To Day, is also worth checking out.

 

 

193483118390-cover-zoom.jpg

 

Sandy Evans is a living national treasure. Here she explores the music of Northern Indian & jazz collaboration. Some wonderful vocals on this benchmark recording. Great cover too.

 

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2 hours ago, mikey d said:

Been a while since I have visited this thread. Some great tunes being played.

Have spent 3 of the past 5 days laying on the couch watching cricket & an Indian series is my favourite.

I love Indian music & the sound of the tabla. Two brand new & brilliant purchases have thrilled my ears.

a3963085945_16.jpg

As mentioned by Brothers Chris & Ian. His first release, Day To Day, is also worth checking out.

 

 

193483118390-cover-zoom.jpg

 

Sandy Evans is a living national treasure. Here she explores the music of Northern Indian & jazz collaboration. Some wonderful vocals on this benchmark recording. Great cover too.

 

You can never have too much tabla...or santoor or bansuri :) .

 I just had a quick audition on youtube. Sounds good. Thanks mikey.

Edited by mrbuzzardstubble
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Sly And Robbie meets Nils Petter- Molvaer with Eivind Aarset and Vladislav Delay - Nordub.

A review by John L. Waters of London Jazz.

Some albums are "good", "great" even, but you don’t return to them that often. Other albums, like Nordub, a new release featuring drummer Sly Dunbar and bassist Robbie Shakespeare, get right under your skin. 

There’s a moment in the middle of White Scarf which is sheer Nordic bliss, washes of glassy sound, multiplexed muted trumpet (from Norwegian trumpeter Nils Petter Molvær) with noises that might have come from deep in the dark recesses of a haunted machine – a battered laptop or an ancient analogue mixing desk. 

The Dub genre has prompted some interesting collaborations. We’ve heard the explorations of Bill Laswell (incorporating Sly and Robbie) plus the benign, seductive appropriation of the Gotan Project. King Tubby, one of Dub Reggae’s most innovative artists, was known to have been a big jazz collector, who sought to achieve the freedom of his favourite improvisers in this freewheeling approach to record-making, using the mixing desk as an instrument – see ‘Ghosts in the machine’ (Guardian, 2004). 

Sly and Robbie have been Reggae royalty and first-call sessioneers for donkey’s years – working with everyone from Grace Jones and Ian Dury to Shaggy and Serge Gainsbourg. They are prolific producers and artists, too, and their influence on popular music is hard to overstate. 

The Nordub project brings their backline skills to the front in a new way, in a glorious meeting of empathetic talents. There’s a gentle firmness to the drums and bass that complements Eivind Aarset’s icy guitar soundscapes. Defiant analogue effects (the "ping" of overdriven spring reverb; tape delay that spins on the cusp of feedback) rub up happily against the cleaner digital sounds and echoes we expect from European blue-screen nu-jazz.

Shakespeare sings on How Long (an original, not the Paul Carrack hit) and Was In The Blues. The two vocal numbers add pleasing warmth to the otherwise instrumental and electric album. 

Nils Petter Molvær leads assuredly without dominating – the rapport between his trumpet and Aarset’s guitar is as thrilling as it was on Khmer and Solid Ether nearly two decades ago. The wonderfully named Finnish co-producer Vladislav Delay (live dub, percussion) fills in the sonic spaces between soloists and celebrated rhythm section. Yet if you let the album wash around your sound system for a while, you realise that this is a kind of music where "Everyone solos and nobody solos", to quote Weather Report’s famous dictum. 

Standout tracks include If I Gave You My Love and European Express but there are no duds. The album is sensitively produced by Jan Bang, and well sequenced, but it sounds just as good on shuffle play. Nordub is that rare thing, an uncompromising crossover album – a contemporary work that already sounds like one for the ages

 

s-l400 (2).jpg

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41 minutes ago, mrbuzzardstubble said:

Sly And Robbie meets Nils Petter- Molvaer with Eivind Aarset and Vladislav Delay - Nordub.

A review by John L. Waters of London Jazz.

Some albums are "good", "great" even, but you don’t return to them that often. Other albums, like Nordub, a new release featuring drummer Sly Dunbar and bassist Robbie Shakespeare, get right under your skin. 

There’s a moment in the middle of White Scarf which is sheer Nordic bliss, washes of glassy sound, multiplexed muted trumpet (from Norwegian trumpeter Nils Petter Molvær) with noises that might have come from deep in the dark recesses of a haunted machine – a battered laptop or an ancient analogue mixing desk. 

The Dub genre has prompted some interesting collaborations. We’ve heard the explorations of Bill Laswell (incorporating Sly and Robbie) plus the benign, seductive appropriation of the Gotan Project. King Tubby, one of Dub Reggae’s most innovative artists, was known to have been a big jazz collector, who sought to achieve the freedom of his favourite improvisers in this freewheeling approach to record-making, using the mixing desk as an instrument – see ‘Ghosts in the machine’ (Guardian, 2004). 

Sly and Robbie have been Reggae royalty and first-call sessioneers for donkey’s years – working with everyone from Grace Jones and Ian Dury to Shaggy and Serge Gainsbourg. They are prolific producers and artists, too, and their influence on popular music is hard to overstate. 

The Nordub project brings their backline skills to the front in a new way, in a glorious meeting of empathetic talents. There’s a gentle firmness to the drums and bass that complements Eivind Aarset’s icy guitar soundscapes. Defiant analogue effects (the "ping" of overdriven spring reverb; tape delay that spins on the cusp of feedback) rub up happily against the cleaner digital sounds and echoes we expect from European blue-screen nu-jazz.

Shakespeare sings on How Long (an original, not the Paul Carrack hit) and Was In The Blues. The two vocal numbers add pleasing warmth to the otherwise instrumental and electric album. 

Nils Petter Molvær leads assuredly without dominating – the rapport between his trumpet and Aarset’s guitar is as thrilling as it was on Khmer and Solid Ether nearly two decades ago. The wonderfully named Finnish co-producer Vladislav Delay (live dub, percussion) fills in the sonic spaces between soloists and celebrated rhythm section. Yet if you let the album wash around your sound system for a while, you realise that this is a kind of music where "Everyone solos and nobody solos", to quote Weather Report’s famous dictum. 

Standout tracks include If I Gave You My Love and European Express but there are no duds. The album is sensitively produced by Jan Bang, and well sequenced, but it sounds just as good on shuffle play. Nordub is that rare thing, an uncompromising crossover album – a contemporary work that already sounds like one for the ages

 

s-l400 (2).jpg

 

Just got this cd too Marty. It's definitely on my album of the year list.

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On 01/12/2018 at 12:00 PM, mrbuzzardstubble said:

Avishai Cohen* - Seven Seas

* The bassy A.C.Not the trumpety one.

images (64).jpeg

BBC3 have a live set from the London Jazz Festival up for a month.

Avishai Cohen Trio celebrating Gently Disturbed, feat. Avishai Cohen, Shai Maestro and Mark Guiliana, in concert at the London Jazz Festival

https://www.bbc.co.uk/sounds/play/m0001hp7

Not my usual cup of tea but a nice set and Guiliana is always worth listening too.

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1 hour ago, Ian McP said:

Yes, I have watched this before Brother Ian. Have been a huge Sly n Robbie fan since I discovered Black Uhuru in the early '80's. Sly's signature rim shots have graced 100's of records. Robbie's deep bass anchors the band. Must have been a huge privilege for these Nordic guys to work with the best rhythm section of all time. Typical jazz crowd. I would have been dancing like it was a trance set at a rave.

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