Eversolo T10 & DMP-A8 Gen 2 Lead HIGH END Vienna Line-Up

While Eversolo has built much of its recent profile around network players and streaming DACs, the company is now pushing into a more complete digital hi-fi ecosystem. Alongside the T10 and DMP-A8 Gen 2 series, the Vienna display will include the DAC-R8 R2R DAC, C10 Precision Master Clock, AMP-F8 and AMP-F6 power amplifiers, and the SA200 integrated streaming amplifier.

Rather than treating streaming as a single-box convenience category, the company is positioning its products around a more traditional high-end audio architecture: transport, clocking, DAC, preamplification and power amplification, but built around digital sources from the outset.

T10 Streaming Transport

Perhaps the most significant new arrival is the Eversolo T10 Streaming Transport, a dedicated digital source component designed for listeners who already have an external DAC or more complex digital playback chain.

The T10 measures 365 x 310 x 88mm and features an 8.6-inch touchscreen display, a redesigned interface and Eversolo’s latest playback card-style user experience. As with the company’s existing streamers, visual presentation remains part of the pitch, but the T10 is even more interesting for what it does internally.

Eversolo says the T10 uses a physically isolated internal architecture, separating the system core, power supply and precision audio circuits into independent sections. The company claims this arrangement is designed to reduce electrical noise and signal interference before it reaches the digital output stage.

Power is supplied by a custom O-type toroidal linear transformer, while clocking is handled by an OCXO crystal oscillator with PLL optimisation. The T10 also includes external master clock input support, including 10MHz and 25MHz clock signals with 50-ohm and 75-ohm impedance compatibility, making it more flexible for systems built around dedicated external clocks.

Digital outputs include IIS, USB Audio, AES/EBU, coaxial and optical. IIS and USB Audio support up to native DSD512 and PCM 768kHz/32-bit, while optical, coaxial and AES/EBU outputs support up to PCM 192kHz/24-bit and DoP64.

On the network connectivity front, there’s 2.5G Ethernet and an SFP fibre interface; the latter is intended to reduce electrical interference from network equipment. Storage is also generous, with dual M.2 NVMe SSD slots supporting up to 16TB total expansion, backed by 8GB RAM and 64GB onboard storage.

On the software side, the T10 supports major streaming services including TIDAL, Qobuz, Apple Music, Amazon Music, Deezer, SoundCloud, TuneIn and others, with streaming protocol support including Spotify Connect Lossless, TIDAL Connect, Qobuz Connect and DLNA. Eversolo also claims the T10 can scan and organise libraries of around 200,000 tracks in approximately two hours.

The T10 will launch with an RRP of US$2,180 | €2,180, with broader regional pricing and availability still to be confirmed.

DMP-A8 Gen 2 & DMP-A8 Master Edition Gen 2

Eversolo will also use HIGH END Vienna 2026 to debut the new DMP-A8 Gen 2 and DMP-A8 Master Edition Gen 2, updating one of the company’s best-known streaming hub platforms.

The original DMP-A8 gave Eversolo more credibility beyond the affordable streamer space, particularly by combining streaming, DAC and analogue preamplifier functions in a single component. The Gen 2 series keeps that broad concept but brings a redesigned chassis, larger display, upgraded processing and expanded system integration.

The standard DMP-A8 Gen 2 measures 388 x 265 x 88mm, while the Master Edition Gen 2 is slightly taller at 98.5mm. Like the T10, both models feature an 8.6-inch display and a new interface designed to make music browsing, playback control and system management more fluid. The brain of the DMP-A8 Gen 2 series is the AK4191EQ digital processor and AK4499EX DAC architecture, supporting native DSD512 and PCM up to 768kHz/32-bit. Eversolo also quotes THD+N as low as 0.000075%, with SNR and DNR up to 129dB.

For analogue duties, the Gen 2 series uses a fully balanced analogue preamplifier stage with up to +10dB analogue gain, partnered with a high-precision R-2R resistor ladder volume control. So in principle, that should appeal to users who want the DMP-A8 to serve as the control centre of a system rather than simply as a digital source.

The DMP-A8 Gen 2 series also gains a 64-bit octa-core processor, 8GB RAM and 64GB internal storage. Eversolo says the upgraded library system can scan and structure up to 200,000 tracks in around two hours. Connectivity includes optical and coaxial digital inputs, XLR and RCA analogue inputs, USB Audio and AES digital outputs, an SFP fibre network interface and a dedicated subwoofer output.

The DMP-A8 Master Edition Gen 2 pushes further into specialist territory. It adds an integrated top-loading CD playback system, which Eversolo says has been optimised for operational noise control, reading stability and error correction. That is an interesting move in a market where CD playback is no longer mainstream, but is proving harder to write off than many expected. Eversolo appears keen to support that audience rather than leave disc playback behind.

The Master Edition also upgrades the clocking architecture with an OCXO clock and PLL technology, plus external clock input support for integration with standalone timing systems.

Both DMP-A8 Gen 2 models are scheduled for release in the third quarter of 2026. Pricing has not yet been announced.

Eversolo’s Vienna line-up will also include the DAC-R8 R2R DAC, C10 Precision Master Clock, AMP-F8 Class AB power amplifier, AMP-F6 Class D power amplifier and SA200 integrated streaming amplifier.

The DAC-R8 uses Eversolo’s proprietary 24-bit R2R DAC architecture with selectable NOS and OS modes and a fully balanced analogue design. The AMP-F8 uses an 800W custom toroidal linear power supply and is rated at up to 500W into 8 ohms in bridged mode, while the more compact AMP-F6 uses GaN power modules and is rated at 225W per channel into 8 ohms, or 450W per channel into 4 ohms. The SA200 combines streaming, DAC and amplification in one chassis, with Eversolo quoting up to 320W per channel into 4 ohms.

So there's a fair bit to absorb here, but Eversolo’s modular approach should appeal both to listeners who want a neat, modern system and to those assembling more comprehensive high-end digital chains. The brand will show the new products at Booth 1.14 on Level 1 of the Austria Centre Vienna from June 4th to 7th at HIGH END Vienna 2026. StereoNET will be on the ground at the show to see Eversolo’s new releases first-hand.

For more information visit Eversolo