Running from 10 to 12 July at Marina Bay Sands Expo & Convention Centre, Level 3, the show brings together specialist distributors, retailers, manufacturers and music lovers from across the region. For StereoNET Asia Commercial Manager and Show Organiser, Eugene Ng, who is on the floor in Singapore, the opening day is about more than simply counting rooms and ticking off product launches. It is the first proper test of how the region responds to a dedicated international hi-fi and AV event built around Singapore as a central meeting point.

As the doors opened for Day Two, the early support for this flagship event is obvious enough with record crowds solidy supporting the show right up until the closing time of the first day. Several brands are also using the event for first-in-Asia or first-in-region showings, giving visitors a chance to hear products that have only recently surfaced at major international events.

Among the headline attractions, Ong Radio is presenting the Southeast Asia debut of the Bowers & Wilkins 801 D5, pairing the new 800 Series Diamond flagship with McIntosh reference electronics in Room 3612. It should be one of the more recognisable high-end systems at the show, not least because both brands bring serious visual theatre as well as strong audiophile recognition.

JBL also arrives with real launch momentum, with Sound Gallery by IMS giving the JBL Summit Everest its APAC debut in Room 3813 to a packed crowd of media, alongside the Summit K2 on static display. Given JBL is marking its 80th anniversary this year, the appearance of a new flagship Summit Series loudspeaker in Singapore gives the room a useful sense of occasion.

Audio-Technica is spreading its story across analogue, head-fi and lifestyle audio, with the AT-MCD1 flagship moving-coil cartridge, ATH-ADX7000 open-air dynamic headphones and HOTARU lifestyle audio system all part of its show presence. That combination neatly reflects where the Japanese brand is currently placing its emphasis: serious cartridge engineering at one end, more experiential listening and design-led analogue at the other.

Cambridge Audio is also part of the opening-day conversation through The Experts Group in Room 3901A. Its new Evo 300 streaming amplifier gives the British brand a more powerful all-in-one proposition, while the L/R active stereo speaker range adds a more compact, lifestyle-friendly angle to the same broader theme: making serious stereo easier to live with.

There are also several loudspeaker stories worth chasing across the show. Audio Maestro is hosting the Asia launch of Audiovector’s R 5 Arreté in Room 3810B, giving visitors an early listen to the Danish company’s latest high-end floorstander. At the more physically imposing end of the spectrum, Göbel High End’s Divin Majestic is expected to make its Singapore launch appearance, bringing another serious statement loudspeaker to the Marina Bay Sands floor.

Avantgarde Acoustic is taking a different route with the Opus 1. Rather than presenting the compact active horn loudspeaker as a conventional static exhibit, hifi.com.sg has built Room 3703 around a more relaxed listening-room concept, combining Opus 1 with AirTight analogue equipment and Grafunkt furniture. It is a useful reminder that high-performance audio does not always need to be framed as a formal sit-down demonstration.

Bluesound is also leaning into that more practical side of modern listening, with Lenbrook Asia presenting the PULSE CINEMA wireless streaming soundbar as part of its broader NAD, PSB, Bluesound and IsoAcoustics showcase. For visitors moving between two-channel rooms and home cinema demonstrations, it should be a helpful bridge between traditional hi-fi expectations and the way many people now want music and TV sound to work at home.

Beyond the major brand launches, the show also includes Headzones, home cinema demonstrations, lifestyle audio displays and a dedicated Record Fair, which gives the event a welcome music-first counterpoint to the equipment rooms. Hi-fi shows can easily become a parade of hardware, but the better ones always find ways to reconnect the equipment with the music that makes any of this worthwhile.

Opening days are usually more about first impressions than firm conclusions, as rooms need time to settle, systems warm through, schedules shift, and the character of a show tends to reveal itself as visitors start moving from room to room.

Even so, the first StereoNET Asia Hi-Fi & AV Expo Singapore 2026 already feels like it has the right mix: serious regional launches, strong local retailer support, a broad spread of products and enough music culture around the edges to remind everyone why the equipment matters in the first place. Most interesting was the diverse audience, young and old, couples, families, and newcomers and seasoned audiophiles alike.

The StereoNET Asia Hi-Fi & AV Expo Singapore 2026 runs from Friday 10 July to Sunday 12 July at Marina Bay Sands Expo & Convention Centre, Level 3. Entry is free with online registration.

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Marc Rushton's avatar

Marc Rushton

StereoNET’s Founder and Publisher, Marc, grew up in England immersed in British hi-fi before relocating to Australia. His early passion for music and studio production led him from print journalism to digital media, where he launched StereoNET in 1999.

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