It seems that cassette culture never quite disappeared, and long-time StereoNET readers may recall that we first flagged early signs of a return in 2017 with 'The Humble Cassette Tape Is Back.' At the time, tapes were still a niche curiosity, kept alive by DIY artists, micro-labels and collectors. What has happened since is a shift in scale and audience, with research indicating that younger listeners are leading the charge.
More recently, the numbers back this up. In the US, cassette album sales increased from 173,000 in 2020 to 343,000 in 2021, then rose again to approximately 440,000 in 2022 before stabilising at around 436,000 in 2023. In the UK, sales reached about 195,000 units in 2022, the highest figure since 2003, before easing to around 136,000 in 2023. The volumes are still small beside vinyl, but they’re a long way from the format’s near-disappearance a decade ago and show a niche that’s stubbornly alive and evolving.
Part of the appeal has been economic. Cassettes offer a low-risk and tangible way for independent artists to release physical music, costing around $8 a unit versus far higher outlays for vinyl. That affordability helped sustain the format in the underground.
As always, mainstream pop culture has been evolving. Over the last decade, the impact of productions like Guardians of the Galaxy, Stranger Things and 13 Reasons Why recast the mixtape as an object of emotional identity. Major artists noticed. Taylor Swift, Harry Styles, Olivia Rodrigo, Billie Eilish, Lana Del Rey, and Lady Gaga (to name a few) have all released albums on cassette in recent years, often in neon-coloured shells designed more for visual impact than audio purity.
Against that backdrop, UK-based analytics firm Startle offers one of the clearest snapshots yet of where the revival has landed and why Gen Z is driving it forward. The company analysed 146 cassette albums sold on eBay, focusing on completed listings to avoid inflated or speculative pricing. What it found was a resale market behaving less like a forgotten format and more like a modern collectible’s economy shaped by scarcity and generational taste.
Some of the figures are striking. Morgan Wallen’s Dangerous is reportedly now selling for around £250, a far cry from its £22 retail price. Lana Del Rey’s Norman F**ing Rockwell* has jumped more than 1,100% to roughly £188. Kendrick Lamar’s DAMN is fetching close to six times its original value, while even Taylor Swift’s The Life of a Showgirl has climbed 269% in just a few weeks. On average, tapes from the 2000s sit around £60, with titles from the 2010s averaging £53 and 2020s releases about £42.
Startle’s demographic analysis reinforces this: Gen Z is driving the resurgence. For them, cassettes aren’t about analogue warmth or technical performance but cultural identity, the same forces behind the comeback of wired headphones, film cameras and Y2K fashion. Physical formats offer individuality, a quality that algorithm-driven platforms often tend to flatten.
Hardware has evolved in parallel. Over the past 18 months, StereoNET has extensively reported on some interesting new cassette gear that has come to market. Brands such as We Are Rewind have led this movement with the EDITH portable player, the GB-001 boombox, and a limited-edition model featuring Elvis Presley. All blending analogue tape transports with USB-C charging, Bluetooth connectivity and modern industrial design.
In this writer's opinion, cassette’s renewed popularity could be driven by scarcity, collectability or perhaps just the simple appeal of holding music in your hands again. For listeners who never grew up with the format or those of us revelling in heavy nostalgia, the humble cassette seems to offer something worth playing again.
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