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Tube Phono Preamp DIY options


Owen Y

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Kits available first up, & MM option only for starters...

(MC phono requires a full SS or hybrid MC phono pre, or a MC transformer in front.)

 

Transcendent Sound Phono Preamp: US$699 Kit ($999 factory assembled).

http://www.transcendentsound.com/PhonoPreamp.htm

 

Audionote: US$1249 Kit

http://www.audionotekits.com/prices.html

 

Other...?

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The Linsley Hood design is still available, see details in this thread

 

http://www.audioenz.co.nz/forums/showthread.php?t=7962

 

Kit can be found here-

 

http://www.williamshart.com/index_files/1450phono.htm

 

GBP26 for the pcb or GBP110 for the complete kit

 

I use it myself and find it to be a very capable performer. I also have the Transcendent Sound phono stage. The kit for this is excellent, with everything supplied and very clear and well laid out instructions. I have used it with Sowter step-up transformers for my mc cartridge, and although it works well, I prefer the sound of the Linsley Hood design. Hopefully the valve police won't crucify me for preferring transistors to valves in this application.

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nixon76;91741 wrote:
Also probably a dumb question: line stage and phono stage....different things yes?

 

Yep, as I understand it a preamp is a line stage and phono stage together although many seem to use the terms line stage and preamp interchangeably.

 

Although of course I could be horribly wrong :)

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nixon76;91741 wrote:
Also probably a dumb question: line stage and phono stage....different things yes?

 

Yes - a phono stagre has circuits to process RIAA curves encoded on the LP.

 

 

tkr001;91743 wrote:
Yep, as I understand it a preamp is a line stage and phono stage together although many seem to use the terms line stage and preamp interchangeably.

 

 

 

 

 

Although of course I could be horribly wrong
:)

 

Basically, a preamp is a switchbox and will always include the basic functions of source selection and volume control. It may also include other features such as balance, muting, tape monitor selection, record out signal selection, channel switching, stereo/mono selection, channel reversing, headphone output, etc.

 

Almost all audio source components (CD, DVD, tuner, DAT, etc.) will output a signal which is more than capable of driving a power amplifier. The only device which must have preamplification is the turntable.

 

So, a preamp is always a line stage (either passive - no power required, or active - power required) and may/may not include a phono stage (power required).

 

Of course, I could be horribly wrong as well! :eek:

 

David

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US$279 but needs to be plugged into a Linestage.

 

(Cheap if you already have a nice linestage.)

 

 

 

Or, US$749 for their Eros full phono+line phono preamp.

 

Yeah it's confusing. So a line stage is a pre amp et al. In my case the SM6 has no phono stage at all, so I plug my stand alone phono pre-amp into the Aux RCA inputs which by default becomes my line stage.

 

Therefore specific to the Bottleneck, I have the necessary line stage but it's not a phono line stage. What's the difference?

 

Again, I've got the feeling I'm way off track....edit, edit.

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OK, ....

In the old days, all preamps had phono inputs (which provided a 1st stage 'pre' amplification & 'equalisation' for the v low level record pickup signal. This brought the signal level up to 'line level' (similar to Aux inputs...eg tape, tuner... later CD). The phono stage therefore preceded the 'Line' (or Aux) inputs & line-stage, which provided a 2nd stage of amplification to drive the power amp (or power stage in an integrated.

 

Nowadays, phono is usually unnecessary & Line-only preamps are commonly manufactured, primarily for CD sources... these are sometimes referred to as Line-stages.

 

So, thus you have Phono stage + Line (stage) preamp/s.

 

:D

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Correction:

I see that the Bottlehead Eros is also just a (higher performance) Phono stage only... needs to be plugged into a line stage.

 

Owen Y;91647 wrote:
Or, US$749 for their Eros full phono+line phono preamp.

 

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