For Sale Furutech FLUX-50 and C1-14+C-19 ADAPTOR Power Filter

Further Information

Here are the Furutech FLUX-50 and Shunyata SR-Z C14-C19 ADAPTOR from my setup—no longer needed. I’m original owner of both from Krispy Audio,have payment receipt.

Flux -50 $860AUD Shunyata Adaptor was $440—yikes!— I ought for $250 new selloff—Shunyata ceased production of these. So Aust pricing new $1100.

This combo enables one to add the Flux-50 before a Power Regenerator/ Conditioner/ Power Block with the big C-19 IEC. Also any other component that has that input where one has only the standard C-14 IEC connector cord. I found it immensely useful for enabling the FLUX-50 to go before my PurePower 2000 Regenerator.

AC Power Can Make or Break Your System-

I am selling this on pictured as I intend it for a Streamer but this is now on hold permanently and I am offering it here as shown.

The audio you hear from your home entertainment system is essentially the incoming electricity itself, and the typically violent storms riding the AC line and its ground is very detrimental to the performance of your components.

Highly resolving audio and video systems can retrieve incredible amounts of detail from your favorite recordings. Unfortunately, they can also reveal problems elsewhere in the power chain—especially when it comes to noise flowing through your valuable components from your AC power mains. The Furutech Flux-50 filter is, in every sense of the word, a top-of-the-line high-performance filter that was designed to eliminate all radiated AC noise from high-quality audio and video systems.

What’s innovative about the Furutech Flux-50 is that it eliminates AC noise without affecting any of the highest frequencies. That means the Flux-50 won’t rob music of the air, dynamic contrasts and 3-D qualities that are reinforced by frequencies normally thought to be outside of the normal range of human hearing…100 kHz, 500 kHz and beyond.

The Furutech Flux-50 filter contains many of the innovative features found in our other power filters such as:

• 24K gold-plated Alpha non-magnetic connectors and conductors that protect against radiated noise

• RoHS compliant flexible PVC sheath for improved isolation from vibration

• High-grade PE insulation that helps to reduce capacitance

• Patented Floating Field Damper which acts as a very effective earth/ground jumper system

The Flux-50 takes these technologies a step further by combining Furutech’s most advanced Piezo Ceramic bodies with rhodium-plated Alpha pure copper conductors using premium FI-50R connectors. In addition, all metallic parts are treated with the Furutech Alpha Process—a super cryogenic and demagnetizing treatment. All of this adds up to unequaled performance when it comes to reducing and eliminating radiated AC noise from high-quality audio and video systems.

It’s simple—the finest systems can be extraordinarily revealing when it comes to your recordings, your AC power mains and even your local power grid. The Flux-50 removes all that high-frequency trash noise and lets the music flow effortlessly.

FEATURES

•Fitted with Furutech’s top-of-the-line high end performance Piezo Ceramic body rhodium plated α (Alpha) non-magnetic pure copper conductors FI-50R Connectors

•GC-303+EMI Filter AC-1501R Rhodium plated α (Alpha) non-magnetic copper alloy conductors

•Earth/Ground Jumper System (US Patent No.: 6,669,491 )

•Patent pending metal cable clamp improves grip and reduces mechanically and electrically induced distortion plus patent-pending specially engineered pressure plate

•Cable features an α (Alpha) conductor shield to protect against radiated noise.

•RoHS compliant flexible PVC sheath improves vibration isolation

•Special high-grade PE Insulation contributes to a reduction in capacitance.

SPECIFICATIONS AC 115V/250V 15A 50/60Hz

Overall Length 30cm Approx.        Aust Post $16 All states.

Customer reviews—some big waffle for a little item—

I began my evaluation by installing one Furutech Flux 50 on my PurePower 2000 that feeds the studio two channel system components, a McIntosh C1000C/P, Esoteric K-03, Olive 04HD, and a pair of McIntosh MC2301 power amplifiers. To be honest, I wasn’t sure what to expect in the way of performance enhancement. I didn’t know if the PurePower 2000 AC regeneration process might negate what the Flux 50 had to offer, but it seemed like the most logical place to begin. What happened next was not even subtle. Instantly my studio system background grew blacker. I know you’re probably thinking. “Sure it did.” I am not exaggerating, plus the sound stage opened in width and depth allowing every instrument and voice more space to perform in, more air would be the audio term. I am hearing added clarity and improved accuracy in ambient cues coming from the darker background. This enhancement aids my ability to localize the position of instruments and voices. The zest of dynamics seems to have improved. The three dimensional aspects of the sound stage and the essence of live versus recorded is reproduced with a sharper focus. I can’t begin to explain the science behind these improvements to my sound system, but they are real and immediate. The Furutech Flux 50 is an astonishing product.

Listening to Anouar Brahem - The Astonishing Eyes Of Rita, the instruments were literally floating in the air from left to right across the sound stage. The same was true listening to Alison Krauss & Union Station – New Favorite. Alison’s voice on “Let Me Touch You For Awhile” put her physical presence centered directly in front of the speakers. The sensation exceeded just her voice. There was a strong sense of a three dimensional presence. When I removed the Flux 50 Filter from the PurePower 2000 some of the air was immediately sucked out of the performance. With the Flux 50 installed it's like someone flipped on the 3D switch. Removing the Flux 50 returned the sound stage to a narrower and shallower event, not that I ever thought my sound stage was anything but completely satisfying. None the less with the Furutech Flux 50 in the power line the improvement in the system's performance was striking and the difference is not subtle. Some instruments that had previously appeared in the left or right speakers moved outside the extreme left or right of the speakers. You won’t have to merely hope to experience something beneficial. No sir! The improvements in blacker background, enhanced micro details and a more three dimensional sound stage happens immediately. I expect the Flux 50 will show improved performance as the break-in progress continues. I am at a complete loss to explain how the Furutech Flux 50 does what it does. It seems like magic to my ears and mind. I don't have a clue what is going on with this technology but it is good, really good.